MiniMax H3 GLACIA Ice-Crystal Web Interaction Demo Video

Seamless loop | Website hero animation
[Core Concept] Each of her actions corresponds to a web interaction. She is not standing in front of a webpage; she is demonstrating how the webpage works. Loading, hovering, clicking, scrolling, dragging, carousel navigation, submitting, and refreshing—eight interactions occur in sequence, each with corresponding ice-interface feedback.
[Character Lock · @image1] Present her exactly according to this reference image, with no redesign of any kind.
Appearance: Young woman with chin-length mint-green hair that lifts lightly with her movements; sharp pale cyan-aqua eyes, cyan nails, and crystal-drop earrings.
Clothing: A tailored white suit—open jacket and trousers, a gold Baroque scrollwork ornament encircling the neckline, a dark fur shoulder cape densely studded with blue ice-crystal spikes, a fine gold chain hanging at the waist, and a black thigh holster strap.
Weapons: Two ornate silver revolvers, one in each hand, with ice-blue crystal barrels, engraved bodies, and fully detailed cylinders and hammers.
Setting: A magnificent palace hall with towering arched windows, warm gold interiors, and realistically reflective marble floors. The daylight outside the windows is cool, while the interior is warmly golden; this warm-cool contrast runs throughout the film.
Do not alter the hairstyle, face, suit silhouette, gold scrollwork, shoulder-cape structure, weapon design, or proportions at any point.
[Anatomy and Weapon Lock · Highest Priority] From beginning to end, the entire film contains only two arms, two hands, five fingers on each hand, and exactly two revolvers—one in the right hand and one in the left, never a third. During the dragging segment, the left gun is clearly holstered, leaving the left hand empty with all five fingers clearly visible. In every gun spin, slide, shot, and motion blur, afterimages must never render as extra limbs or weapons. Hand anatomy is complete in every frame, with distinct joints and an unambiguous trigger-finger position. Guns never float or duplicate.
[Website UI/UX System · Ice Interface] The image is built on a 12-column grid with 6% outer margins and 2% gutters. Safe zone: columns 1 through 5 are reserved for the webpage title and buttons; the character and main ice-crystal structure never enter columns 1 through 4.
All interface elements are made of “ice”—hair-thin frost lines, translucent and realistically refractive, as though formed on a layer of invisible glass. Interface colors: frost-line ice white #EDF4F8, active-state ice blue #9FD8EC, and confirmation-state warm gold #D9A94C.
Skeleton screen: During loading, regions that have not yet “loaded” are represented by frosted translucent ice panels that shimmer subtly. As content loads, the ice panels melt and real detail emerges.
Cursor: An ice-crystal crosshair serves as the mouse pointer, following her current focus throughout the film. On hover, it expands into a ring of fine frost; on click, it contracts and splashes frost.
Hover state: The surface of an object under the crosshair gains a subtle ice-blue glow and lifts slightly.
Ripple feedback: At every “click” impact, a material ripple expands first, followed by crystal growth.
Scrollbar: A thin ice column along the right edge fills in sync with lateral movement during the scrolling segment.
Alignment guides: During the dragging segment, hair-thin magenta alignment lines #E23D9B flash on screen and disappear when the element snaps into place.
Ammunition indicator: A six-cell ice-crystal cylinder icon at the lower right shatters one cell at a time with each shot.
Loading ring: A circular frost ring doubles as the page loading indicator. It begins at 1.2 seconds, reaches a half-circle at 7.8 seconds, closes and flashes brightly at 11.4 seconds, then melts in reverse after 13.0 seconds.
Easing: All interface elements and text enter with standard ease-out over about 0.4 seconds and exit with ease-in over about 0.25 seconds. Snapping and rebound use a slight overshoot before settling, never linear and never excessively bouncy. Multiple elements are staggered by about 0.06 seconds.
[Typography System · All Generated from Scene Materials] There are three text elements in total. All use a consistent heavy engraved serif typeface—thick vertical strokes, hairline horizontal strokes, chiseled wedge serifs, and wide letter spacing. Each is a three-dimensional physical object with depth, beveling, refraction, and cast shadows.
The text inside the following quotation marks is the actual text rendered on screen and must appear exactly character for character:
1.8 seconds: "GLACIA" (G-L-A-C-I-A, all uppercase) assembles from floating ice-crystal fragments in midair beside her. Each fragment rotates into place to form one facet of a letter. The ice contains subsurface scattering and bubbles, with fine rainbow refraction along the edges. It remains for two beats, then shatters into powder snow.
7.4 seconds: "HAILUO AI" (H-A-I-L-U-O space A-I, all uppercase) is written by frost spreading across the glass of the largest arched window—the frost grows in feather-like crystals along the letter edges, glowing slightly as daylight passes through from behind, before being swallowed by the continuing frost curtain.
13.4 seconds: "Cia0" (uppercase C, lowercase i, lowercase a, numeral zero; the final character is the numeral zero, not the letter O, and must be narrower and more elliptical) is finely engraved into the silver body of the right gun at the same depth and color as the surrounding ornamentation. It appears only for an instant when the gun is holstered and a raking highlight sweeps across it. It must never glow, be outlined, or be enlarged.
There is no other text, Japanese writing, or subtitles anywhere in the film.
[Color Gradient System] All colors throughout the film are built from gradients, never flat fills. The palace interior grades from warm gold #C9A24A on lit surfaces to honey brown #8A6B35 in shadow. The marble floor is cool white #E8E6E0 with gray veining and a layer of ice blue in its reflections. Daylight outside the windows grades from cool blue #A8C4D8 at the top to near-white at the bottom. Her suit grades from pure white #F4F0E8 in the light to warm gray #C9C2B4 in shadow. Ice grades from surface ice blue #9FD8EC to deep cyan #3D7A9E at its core, reaching near-ink blue #1E3A52 at its deepest points, with a complete fine spectrum refracted along its edges. Frost is matte white. Powder snow has gold edges in backlight and blue edges in cool light. Cool colors belong only to ice, frost, and window light; warm colors belong only to the palace and gold ornaments. The boundary between warm and cool remains the source of visual tension throughout.
[Rendering Quality] Maximum fidelity. Ice has realistic subsurface scattering, internal bubbles, growth lines, and fissures, with authentic edge dispersion. Frost grows frame by frame in feather-like crystal branches and never simply fades in. Powder snow has physical volume and swirls with air currents. The silver guns are polished, with darker engraved recesses and flowing reflections as their cylinders turn. The suit is structured, with realistic rebound in its folds. Fur is rendered tuft by tuft, with ice spikes refracting between the fibers. Individual hair strands are rendered, lagging behind during swings. The marble shows complete reflections of her and the crystals. Filmic highlight roll-off, lifted shadows, soft bloom around the brightest gold areas, and fine grain; never overexposed.
[Effects · Ice Ballistics] Every bullet is an ice seed: its trajectory leaves a frost line that crystallizes instantly. At the point of impact, a ripple first expands, then ice flowers, branches, and inverted ice chandeliers grow at time-lapse speed, visibly developing frame by frame. The muzzle emits cold mist rather than flame. Shell casings frost over in midair, land with a chime, and freeze. Her breath forms white vapor. Thin frost spreads outward beneath her feet. Ice refracts window light, casting moving cool patches across the gold ornaments. Anamorphic streaks sweep over every highlight. Out-of-focus powder snow forms oval bokeh. At the climax, ice-crystal structures partially envelop the hall, with warm gold shining through from behind. The crystals continually accumulate and never disappear until they all sublimate during the final segment.
[Action Choreography · Interaction Mapping, Both Hands and Both Guns Explicit on Every Beat]
0.0–1.4 Loading. No character. Macro view of frost forming on window glass. A frost frame crystallizes and extends from all four corners, skeleton-screen ice panels cover the image, and the loading ring begins.
1.4–3.0 Loading complete. The skeleton ice panels melt one after another from left to right, revealing and sharpening the hall section by section. The final melted section reveals her—back to the tall window, both guns holstered. She raises her eyes and exhales one breath of white vapor. The crosshair cursor appears. "GLACIA" assembles.
3.0–4.6 Hover and click down. The crosshair drifts to her right holster, which gains an ice-blue hover glow and lifts slightly. The instant her right hand draws the gun is the press-down action—the crosshair contracts and splashes frost. Her left hand then draws the left gun. Both guns make one full rotation and stop firmly, with crisp, restrained movement.
4.6–6.2 Click feedback. The right gun fires the first shot—a ballistic frost line crosses the hall and strikes a distant column. First, a material ripple spreads outward; then an ice flower bursts open and grows. The left gun remains raised on guard. The crosshair follows the trajectory and contracts at the impact point.
6.2–7.8 Scrolling. She slides laterally across the marble—the entire page “scrolls” with her. Foreground columns, midground crystals, and distant tall windows sweep past at different parallax speeds, while the ice-column scrollbar along the right edge fills in sync. While sliding, she alternates both guns to fire three upward shots. Each shot creates an inverted ice chandelier overhead, like anchor points being pinned into place one after another. At the same time, frost writes the text across the tall window.
7.8–9.6 Dragging and navigation, one continuous take. She slides to a stop and crisply holsters the left gun. Her left hand grabs a floating ice-crystal panel and drags it horizontally to the right. Magenta alignment guides flash, and the panel slightly overshoots before snapping into place. At the instant it snaps, the right gun fires into the panel’s center. The camera follows the bullet through the ice panel—during the passage, the entire image fills with internal ice refraction like a page transition—then whip-pans back to her, now settled into a one-knee sliding pose.
9.6–11.4 Carousel. Eight beats at 0.225 seconds each, like eight cards sliding in one after another: one, ice-blue line art on white showing only both guns and both hands; two, an ice-blue and warm-gold color-block collage; three, a two-color silhouette in pure white and gold; four, a fully rendered frame of both guns genuinely firing together; five, a motion-trail frame; six, a full-frame negative inversion for this frame only; seven, line art overlaid with ice-crystal refraction; eight, a fully rendered brief still. Each beat connects with a horizontal slide-cut like a card carousel. Ice crystals continue to accumulate.
11.4–13.0 Submit. Two completely still frames. She rises and slowly brings both guns together, aiming at the camera—as though pressing the primary button—then pulls both triggers simultaneously. The two trajectories converge directly in front of the lens, and an ice flower blooms across the mirror surface and grows into the success state. Through the ice flower, she can be seen lowering both guns and looking directly into the camera. The loading ring closes, flashes brightly, and turns warm gold.
13.0–15.0 Refresh. The crystals throughout the hall sublimate from bottom to top into powder snow and cold mist, like a pull-to-refresh pushing the page upward. She spins the guns into their holsters, right first and then left. A raking highlight sweeps across the right gun and reveals the engraving. The hero layout briefly assembles in columns 1 through 5—a frost-line navigation bar and three ice-crystal dots, display-size "GLACIA", and beneath it a frost-line rounded button containing "ENTER". It remains for 0.8 seconds, then melts. The camera pushes back toward a macro view of frost on the window glass. The final frame is completely identical to the first.
[Cinematography] Anamorphic widescreen, oval bokeh, cool-warm two-tone streak flares, 180-degree shutter. Every shot has clear motivation and three distinct depth layers—powder snow, floating ice fragments, or the ice spikes on the shoulder cape always create foreground parallax. The character remains in columns 6 through 12 at all times.
0.0–1.4 100mm macro close to the window. Frost branches grow frame by frame and sweep past, followed by a pull away from the glass.
1.4–3.0 A crane descends slowly from the top of the window to a rear half-body view of her, backlit by the window, while skeleton ice panels melt one by one in front of the lens.
3.0–4.6 40mm low-angle subtle push-in. Her arms cross the foreground as she draws both guns. Three-degree Dutch angle.
4.6–6.2 85mm locked onto the muzzle. At the shot, whip-pan along the bullet trajectory, then stop sharply at the impact point to observe the ripple and growing ice flower.
6.2–7.8 24mm low lateral tracking in the same direction and at the same speed as her slide. All three parallax layers unfold completely, with one subtle camera shake for each of the three shots.
7.8–9.6 One continuous take: track laterally with the dragging action, slightly overshoot at the snap, then follow the bullet through the panel. Slow the passage through the panel to quarter speed, then whip back at normal speed.
9.6–11.4 Focal length jump-cuts with each beat, alternating between 85mm and 24mm, using horizontal slide-cuts to simulate a carousel.
11.4–13.0 50mm slow frontal push-in. Briefly freeze when the ice flower blooms across the mirror surface.
13.0–15.0 Slowly pull back while orbiting the sublimating hall, then push back into a window-frost macro view aligned with the first frame.
All transitions dissolve through powder snow and cold mist. Only the carousel segment uses hard cuts with audio gates. Two completely still frames build tension before submission.
[Physics] Prioritize weight and crispness. The revolvers have authentic recoil—the wrists kick upward, forearms absorb the force, shoulders dip slightly, and simultaneous firing pushes her whole body back half a step. Sliding uses realistic force; the jacket hem and shoulder cape lag behind direction changes before rebounding. When dragging the panel, visible tension runs through her left arm, which pauses with the snap. Shell casings fall under gravity and bounce on the floor. Growing crystals displace air, and powder snow swirls in the airflow caused by movement. Eliminate all stiffness, pauses, and unnatural joint angles.
[Audio] Every sound effect lands on the exact frame of its visual beat, and the mix joins seamlessly from end to beginning for looping. Interface and physical sounds merge: each interaction has one crisp, ice-like interface sound—soft frost for hover, a sharp chime for click, a solid knock for snapping, and a warm bell for confirmation. Foundation: vast, quiet indoor reverberation, extremely distant wind outside the windows, and subtle resonant strain from the ice.
0.0–1.4 Dense crystallization sounds as frost branches grow, a low-frequency shimmering hum from the skeleton ice panels, and one soft onset as the loading ring begins.
1.4–3.0 A descending sequence of crystal-drop sounds as the ice panels melt one by one, her breath and white vapor, a bed of cold strings entering, and individual light chimes as each piece of "GLACIA" assembles.
3.0–4.6 A soft frost hover sound, leather and metal sliding as the guns are drawn, a crisp click, mechanical clicks from the gun spins, and two distinct hammer clicks.
4.6–6.2 The first gunshot has an ice-like reverberant tail, followed by a circular water-ripple sound, dense crystalline crackling as the ice flower grows, and the icy chime of a shell casing.
6.2–7.8 Sliding friction and a thin flowing sound as the scrollbar fills, three alternating gunshots with distinct echoes, layered growth of the ice chandeliers, and dense fine sounds of frost crawling across the window.
7.8–9.6 One sound as the left gun enters its holster, ice-surface friction during the drag, two light beeps from the alignment guides, and a solid snapping sound with a slight overshoot-and-rebound accent. During passage through the panel, all sound stretches and pitches down; it then snaps back to normal speed, followed by one solid impact from the knee slide.
9.6–11.4 Eight impacts aligned with the eight beats—alternating gunshots, ice fractures, and hammer clicks, with each horizontal slide-cut accompanied by one card-sweep sound.